i have a feeling we need a stronger statement about vision, values, concept.. how is this different from a forum like lines ( https://llllllll.co ) and others. from my pointof view its about digital autonomy, away from centralized big tech and streaming platforms that keep us at ransom both as social network and middlemen between music-maker and their audience.
Yes, I fully agree the current statement is bland. Letâs improve it!
âAutonomyâ is a good anchor. Should we talk about âcollective autonomyâ, appealing to the " network" part, given that any alternative to the big corps requires social collaboration?
Also, which areas of autonomy for musicians do we want to cover here?
- online music publishing is a given, and we already have Music platforms.
- online outreach is also a clear factor, we count on the Fediverse but maybe not only? For now we have Fediverse instances and we offer an additional corner in Musicians
Is that it, or are there more musiciansâ autonomy areas within scope?
Iâm gonna beat my little drum again. I reckon âdiscoverabilityâ is the main thing to brainstorm. For me, at least! I want to help break the corpo monopoly on discovering and supporting new music.
The Social Music Network
Collective autonomy for music makers and friends.
How does this sound?
I would say some of the core values are:
- fairness
- transparency
- digital autonomy / agency
- distributed networks
- cooperation (vs competition)
- federation
- open source / free software
- trust and safety
- diversity
- community
- mutual care
âCollective autonomyâ as such sounds.. hmm.. i think when Iâm thinking about autonomy itâs more about self-determination of an individual, who is nevertheless deeply integrated into the community
i feel like everyone would agree under the fairness as the first value of the punchline.
@Mel @prinlu I agree all these concepts are important and must find a place in the intro. We also need to find the very few words that make the punchline.
I added the âcollectiveâ bit having in the back of my mind the feminist critique to the idea of individual freedom or autonomy that ignores all the invisible / ignored / dismissed people working hard so that the privileged individual can enjoy the individualistic dream. But I know you know all this better than me, you also makes a reference to the community context, and we will find a way to express all this.
About âfairnessâ, how do you see it in the punchline? One observation is that âfairâ has been commoditzed/co-opted as a word, which I can even find in bananas at the supermarket. Another observation is that many people find fair to pay a monthly fee to Apple, Spotify, Alphabet, Amazon, etc in exchange to access to music streaming.
yes, of course there are many instances of fairness - some are more âtrueâ, some are exploitation of the term. i still always felt the âfair music ecosystemâ or âenvironmentâ or ânetworksâ which was somehow manifested in putting the artist at the center of all features on Bandcamp, is still something very clear. i feel like everyone who are rotating in this âneighbourhoodâ could stand behind this idea that the music industry is unfair to the artist - so, fair music economy or ecosystem for artists should be somewhat clear.
but yeah, people find also a âfairâ price to pay spotify 10$ per month, but at the same time, we know system is exploitative and therefore unfair to the artists. how can we center the artist, their wellbeing, their self-determination, embededness in community, moving towards fairer and better conditions for work and life in digital economy in two or three words?
i totally agree about bringing in the collective modes of working and exchange, sometimes these were also termed as âpeerâ economy (as in peer production licence), but collective autonomy is foregrounding something else in my opinion, perhaps itâs too definitive into resonating that this place is a collective as in artist collective. To be part of a collective means to kinda belong under an umbrella. I feel TSN could be really more of a network of collectives, projects, publishers, developers, and individuals, itâs a small nuance, so i might be nitpicking.
EDIT: how about something like
â(towards the) cooperative, fair, and federated future of musicâ
instead of federated, rather âdecentralizedâ (too block-chain-y?), âdistributedâ (too geeky)? well, autonomous
âdigital autonomy for cooperative and fair future of musicâ
âDigital autonomy, cooperation, and fairness in musicâ
any feedback, ideas, argumentations, more then welcome!
Not ignoring all the nuance of your comment, which I agree with again. But is this punchline better?
Musicians and journalists know that removing is more difficult than adding, yet most of times the tune sounds better with less.
âNetworkâ encapsulates cooperative, federated, decentralized, distributedâŚ
âfutureâ and âdigitalâ can be assumed, and also we might want to leave a corner open for non-future and non-digital fairness and autonomy.
Also important: the question is whether this is better than the current version on Welcome to The Social Music Network! đ, not to commit to this punchline forever. We can continue the discussion and improve as needed.
I think thatâs much better! We could go with this. Well argumented too!
The grey box shows one thing and then if i hit the little downwards pointing arrow, it shows something else.
From what i see, my preferred one is âFairness and autonomy for music makers.â
âCollective autonomyâ is an interesting oxymoron, and i get it. But i think it will trigger language pedantics and confuse large portions of everybody else.
Granted Iâm still wrapping my head around the purpose and meaning of all this, so my 2 cents might not be worth much.
âFairness and autonomy for music makers.â
I donât know to what extend this place is welcoming listeners, but can there be too much love? Ergo:
âFairness and autonomy for music lovers.â
Ok, please check: Welcome to The Social Music Network! đ.
I feel yes, all kinds of music lovers are welcome, and connection between those who dabble in making sonic art and their audience is in fact the one that is at stake here, absolutely. But this is not a reciprocal relationship. For listeners since the napster age it has never been easier to access music. For workers - artists - in this have been a struggle - with Spotify all more so.
So I feel this place is (or at least could be) dedicated to network between these projects, efforts, individuals, developers, artists, indie labels, arts collectives, even artist-run promo agencies, who are looking for ways how to be autonomous in creating direct connection with their audiences or using tools and even platforms that are dedicated to music ecosystem that is fair to their work.
Again, this is not to shoo away audences, listeners, and all kinds of music lovers. But, I feel like we need to atract primarily those who are looking for ways how to facilitate spaces, tools, and knowledge, with whose artists can find their audiences, and âcan be fairly compensated for their work.â
If music makers is too narrow and we cannot find a better term, perhaps it can just be âFairness and autonomy in musicâ?
Sorry, as I was thinking a little further and reading what is currently written in the welcome text, I had another thought - and I want to make sure, itâs just my perspective on what we somehow really need here: I think this space should not be a place for audiences, and it also isnât to promote peopleâs music as such (or at least it shouldnât be central focus), but it really is about âempowering workersâ, where everyone who has this as a goal - that those who spend helluva lot of time working on that sonic output, should be fairly compensated for their work, should have a stable income, and have an audience too. I see current development by various different initiatives that are moving in that direction - or have this at their core of their mission, and I think Bandcamp was one of the early first projects to try to do that with their Fair Trade Music Policy in 2008.
I think this place should have this focus.
@prinlu Yeah, I was also thinking that âmusic loversâ is lovely but too broad and shapeless.
I think it is ok to make the punchline around âmusic makersâ. For these reasons:
- âmusic makersâ is a fresh and flexible concept, and there are 1000s that will feel represented, or close.
- If the music makers, the ones who actually make music, arenât happy, then forget about the rest, who ultimately work with, for, or because the music makers.
- In the current draft, right below we describe who we are, who we want to reach out, and there we can name as many profiles as we want.
This is an updated version. Please propose specific changes: add / edit / remove.
Fairness and autonomy for music makers
We are music makers, music performers, DJs, developers of music-related platforms, admins of music-related projects, creators of music-related mediaâŚ
ThenâŚ
Yes, I have been hesitating about this but I think youâre right. Anyway, if a pure music listener wants to sign up, read, participate, nobody will show them the door. On the contrary, itâs going to be useful and add more diversity spice. But this shouldnât distract us from music makers and the other roles listed above.
Also agreed. In fact, in my initial proposal there was this idea of a âMusiciansâ category where everyone could have their own topic and post new songs, etc. I scrapped it because there are other platforms focusing on this. I imagine a social âbetween music makersâ topic where people casually share their new albums but as one more community activity and not as a promotion activity.
Agreed again. Iâll review the intro again tomorrow after a good sleep. Specific suggestions add - edit - delete are especially welcome!
maybe we reconsider âfriendsâ addition? itâs not bad - as in
Fairness and autonomy for music makers and friends
since projects like Mirlo, Bandwagon, jam.coop etc, are friends of music makers.
Updated: Fairness and autonomy for music makers and friends
Also the first two paragraphs. Everything ok there?
Tomorrow I want to rewrite the second part (Here are some thingsâŚ), which still come from the Discourse default texts.
Join the Social Music Network! rewritten with a draft initiated by @prinlu.
The scope and main audience of the Social Music Network should be clear now. What do you think?
Tonight (probably) I will remove the second part about things to do when you start. That belongs to a page on its own (or more).
I have added âmultilingualâ to Join The Social Music Network! and I have cut the ânext stepsâ (moved to What we offer).
Yay us! I consider this page stable now. Suggestions to improve it are still (and always) welcome, but any changes must be discussed and agreed.
Seems like more people are confused about the scope of this forum. I would urgently suggest this change to the first paragraph.
The Social Music Network is a community for projects, initiatives, and individuals, that work towards fair music distribution and discovery by considering the music artistsâ work as an indispensable part of culture.
The forumâs aim is to foster a discussion and exchange between different endeavours, open source platforms, and educational resources, that strive to contribute to artistsâ autonomy, agency, and control over direct connections with their audiences.
We want to discuss the artistsâ right to be fairly and transparently compensated for their work in order to live a decent life, and how to contribute to fair ecosystem to build a better future for artists.
and add it to About page?