I’m from Aotearoa, from the southern island, Te Wai Pounamu. Currently resident in the northern island, Te Ika a Maui, in the lands of Waikato Tainui, on the banks of mighty Waikato. I’m a child of the British diaspora in Te Moana-nui-a-Kiwa, which calls the ocean the Pacific, these islands New Zealand, and the city I live in Hamilton. I’m known as Danyl Strype (@strypey@mastodon.nzoss.nz and strypey in lots of places).
I’ve been playing music for fun, going to and putting on live music events, and collecting recorded music, since about the mid-1990s. I’m a jammer/ tinkerer/ dabbler, fond of spontaneous garage/ spare room/ bedroom/ porch jams and drum circles. I helped to start Synth Obscura, a monthly jam night for people who pay electronic instruments like synths, beat boxes and keyboards, analogue or digital, bought or home made.
I bought dozens of recordings directly from touring artists I pay to see, to avoid giving most of that money to corporate intermediaries. About 20 years ago I was heavily involved in the global Indymedia network, and wrote up this attempt to apply a similar strategy to global music cooperation;
Around that time I got involved in creating a CreativeCommons localisation, which led to CC Aotearoa/NZ (now TohaToha). This led me CC music platforms like ccMixter, MagnaTune, Jamendo, Free Music Archive, and the NetLabels collection on Archive.org. Like a lot of anti-corporate geeks, I got very interested in the idea of using netradio and P2P file-sharing networks like GNUtella and BitTorrent to improve discovery of independent music.
A general interest in software freedom and decentralised networks got me signing up to the first fediverse service, identi.ca. A while later, again looking at CC music hosting, I stumbled on Libre.fm and the GNU FM software it ran, and then in turn, GNU social and the beginnings of the fediverse. I’ve been involved in fediverse development for about 15 years. So I’ve been watching with interest as projects like FunkWhale, Radio Free Fedi and BandWagon build infrastructure to support musical artists using fediverse tech. I’m very excited to see what can be achieved by bringing people from a bunch of these projects together.